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澳洲邦德作業代寫:法蘭克福學者

Keywords:澳洲邦德作業代寫

法蘭克福學者關注到馬克思本人在作品中所忽視的藝術和文化的影響,尤其是藝術與文化的接受及其對政治氣候的影響。總是有那些消化”群眾文化和那些專注于“高”文化之間的差距;并對這兩類藝術的影響是什么,比如Adorno,本杰明,Kirchiemer感興趣的人,和弗洛姆。辯論中出現了許多問題,這些思想家Arato描述;“有更多的“真相”在高文化的意識形態或文化的“大眾”潛伏?批評家應該集中精力在“工作”上,還是關注產品的生產和接收?在政治上激進的作品比現存的作品對現存的世界有多大的批判?(文章和Gebhardt,1978,P188)這篇文章將討論辯論在學校本身在這些問題上,將其理論或許是最消耗的藝術形式的現代電影。在他的1936篇文章在機械復制時代的藝術作品,本雅明認為,藝術作品是生產和分配集體由于各種工藝包括光刻和攝影的發展。進一步發展的技術,允許大規模生產的藝術,導致藝術的發展,是專門設計要消耗集體。例如,制作一部電影是一項昂貴而及時的工作。不像一幅畫只能被少數人一次或一本書,只能由一個人一次閱讀,這部電影的意圖是被屏蔽了大量的人在一次。電影的放映是一種共享的文化體驗,一部電影的設計是為了讓人們同時看到和理解,然后可以隨意地思考和討論它的意義。許多版畫復制和分布在許多地區,以達到盡可能廣泛的觀眾。
澳洲邦德作業代寫:法蘭克福學者
<标题> The Frankfurt scholars concerned themselves with the impact of art and culture that Marx himself had overlooked in his writings, in particular, the relationship between reception of art and culture and its influence on political climate. There has always been a gap between those who digest “mass’ culture and those who are preoccupied with “high’ culture; and the influence of these two types of art is what interested people such as Adorno, Benjamin, Kirchiemer, and Fromm. The debate that arose posed many questions for these thinkers as Arato describes; “Is there more ‘truth’ latent in the ideologies of high culture or in those of ‘mass’ culture? Should the critics concentrate on ‘works,’ or on the production and reception of ‘products’? Are politically radical works more or less critical of the existing world than autonomous works? (Arto and Gebhardt, 1978, p188) This essay will look at the debate within the school itself over these issues and apply its theory to perhaps the most consumed art form of the modern age, film.In his 1936 essay The Work of Art in the age of Mechanical Reproduction, Walter Benjamin notes that works of art have been produced and distributed en-masse thanks to the developments of various technological processes including lithography and photography. Further more the development of technology that allows mass production of art has led to the development of art that is specifically designed to be consumed en-masse. For example, the making of a film is a costly and timely business. Unlike a painting than can only be regarded by a few people at a time or a book that can only be read by one person at a time, the film is made with the intention of been screened to a large number of people at once. The screening of a film is a shared cultural experience, a film is designed to be seen and understood by a collection of people simultaneously who may then ponder and discuss its meaning at will. Many prints are reproduced and distributed throughout many territories to reach the widest possible audience.

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