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澳洲墨爾本藝術assignment代寫 安提戈涅

Keywords:澳洲墨爾本藝術assignment代寫,澳洲代寫,安提戈涅

戲劇《安提戈涅》有許多值得注意的地方。索福克勒斯在公元前441年或之前創作的戲劇《安提戈涅》的重要主題,融合習慣法,驕傲,性別角色,普遍的不服從,家庭的可靠性,選擇與命運。它同樣暗示了個人和國家之間的爭論,正如好的法律和完美的法律之間的對比。命運與自由選擇的主題,即命運與自由意志的主題,是希臘文學和寫作中的一個典型主題,命運定期地選擇這兩種活動和生活方式的結果。暗示人物注定有意義或弱點、成就或失望。雖然自由的決定,例如安提戈涅反對克瑞翁的宣言的選擇,是巨大的,命運控制了相當多的最基本的和毀滅的三個集合的場合。索福克勒斯通過提升命運的重要性,提出了人物不能完全掌控自己的活動。安提戈涅對比了兩種法律和公平:一方面是天國或宗教的法律,另一方面是人的法律和國家的法律。由于命運的中心地位和神性存在在劇中主要人物的生活中的標準,宗教儀式和習俗被提升到法律的地位。在俄狄浦斯三人組的三部戲劇中,對法律和公平的探究都占據了一份工作,其中最引人注目的是《安提戈涅》,在這部戲劇中,安提戈涅的完美公平準則與作為國家元首的克瑞翁的意志發生了沖突。克瑞翁國王是《安提戈涅》中明顯的悲劇英雄。他經歷了一個悲劇英雄的所有主要組成部分他的主要悲劇缺點是傲慢,或驕傲。雖然他可能不是一個理想的領導者,但他確實努力遵守他制定的法律。直到他收到預言后,他才決定向長老尋求建議。那么,他是改變了,還是只是想解決他造成的混亂。
澳洲墨爾本藝術assignment代寫 安提戈涅

The play Antigone had many take home messages. The significant themes in “Antigone,” the play composed by Sophocles in or before 441 B.C., incorporate common law, pride, gender roles, common noncompliance, family dependability, and choice versus destiny. It likewise suggests the contention between the individual and the state, just as the contrasts among good and perfect law. The subject of destiny versus unrestrained choice, plainly known as fate versus freewill is a typical one in Greek literature and writing, with destiny regularly choosing the result of the two activities and ways of life. The suggestion that characters are bound for significance or weakness, achievement or disappointment. While free decisions, for example, Antigone’s choice to oppose Creon’s proclamation, are huge, destiny is in charge of a considerable lot of the most basic and obliterating occasions of the set of three. By lifting the significance of destiny, Sophocles proposes that characters can’t be completely in charge of their activities.Antigone contrasts two kinds of law and equity: celestial or religious law on one hand, and the law of men and states on the other. As a result of the centrality of destiny and the standard of the divine beings in the lives of the primary characters of the play, religious rituals and customs are hoisted to the status of law. While inquiries of law and equity assume a job in every one of the three plays of the Oedipus set of three, they are most noticeable in Antigone, in which Antigone’s guidelines of perfect equity conflict with Creon’s will as the head of state.King Creon is the obvious tragic hero in “Antigone”. He goes through all the major components of a tragic hero with his main tragic flaw being hubris, or pride. While he may not be an ideal leader, he did try to abide by the law that he had set in place. It wasn’t until after he received the prophecy that he decided to ask the elders for advice. So does he change or does he just want to fix the mess that he has made.
 
Work Cited
  • Sophocles. “Antigone” Sophocles_Antigone_(AS08).PDF. Translated by Elizabeth Wyckoff, 2008.

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